Saturday, February 18, 2006

Colds are Bad, Rocketship Parties are Good

While it does not exactly translate to the written word, I have an awful sinus thing going on right now (whether it be a cold or whatever), so it sounds like I have both laryngitis and whooping cough, so while I physically CAN go out tonight, it would probably be fairly jerkish of me to go to a crowded place with said symptoms. Therefore, I am going to miss out on a super cool party tonight that any of you folks in New York would be silly to miss out on, which is Sammy Harkham, Kevin Huizenga, and Anders Nilsen premiering their comics (Crickets, Or Else #4 and Big Questions #8, respectively) at Rocketship in Brooklyn beginning at 8:00 pm tonight.

Well worth your time!

As for directions, the store is located at 208 Smith Street (between Butler and Baltic) in the fine borough of Brooklyn, New York.

You can get there by taking the subway (the F Train) to Bergen street.

The phone number for the store is 718-797-1348.

Click here for directions

PSA: Your Bendis/Maleev Daredevil timeline!

Yes, it's Friday night, the wife is watching a "What Not To Wear" marathon, and I just finished re-reading Daredevil #26-81. One of the things I liked about it was Bendis showing that time actually passes. So I began to wonder what a Daredevil timeline would look like. So I decided to sketch it out, because I don't like "What Not To Wear" (Clinton and Stacy piss me off!). It doesn't hold together as well as Bendis wanted it to, but it's still pretty fun.

Warning: as you can probably tell, this will be a truly geeky, continuity-obsessed post. I rarely do these, but occasionally, as with Brian translating the language of the Sheeda, it must be done! So hold on to your nerd hats! The number in parentheses is the issue number in which the event is mentioned.

February 1946: Alexander Bont (who is about 37 at the time, as he says he's 93 in the present) kills Defender and becomes kingpin. How do we know so specifically? His girl mentions that the Feds deported Lucky Luciano, an event which took place in Feb. '46. (66)

Mid-1960s: Daredevil busts Alexander Bont (66). Obviously, this is impossible, but it's still pretty clear it's the 1960s. The cars, the styles, and the fact that Bont looks to be in his late 50s or early 60s speak to this. I don't care too much about the time discrepancy in this regard - Bendis and Maleev are evoking the early days of Daredevil, and that's fine, but it's a point people have made before about superheroes not aging - you can't refer to stuff that has happened to them in the past, because it will screw everything up. Especially with what Bendis tells us about ...

1981: Young Sammy Silke and Richard Fisk see Wilson Fisk and Sammy's father kill a man (30). It explicitly says, "20 years ago." See what I mean about tricky?

1989: Matt and Elektra are in college (37). Again, a comic from 2001 says "12 years ago." Matt must have used a time machine to bust Bont.

19 July 2001: The White Tiger thwarts a robbery and gets arrested (38, but the date is given in 39). This is one of the few dates given in the book. The prosecutor specifically mentions that Hector Ayala was arrested on 19 July. It has to be 2001, for reasons discussed below.

20 July 2001: Luke Cage and Danny Rand get Matt to take the White Tiger case (38).

July 2001: Matt and Foggy visit Hector in prison; Luke Cage and Danny Rand visit the punks who know something about the cop-killing (38).

January 2002: Sammy Silke arrives in New York, meets Wilson Fisk, and is denied permission to kill Matt Murdock (29). Later, he meets Richard Fisk, who looks nothing like the Richard Fisk who was The Rose (27).

February 2002: Sammy Silke thinks about taking down Fisk (29). Later, Richard tells Silke that Matt is Daredevil (30).

March 2002: Silke begins plotting and puts a bounty on Matt (30).

7 April 2002: Matt and Foggy win a huge case; Nitro explodes on the courthouse steps (26). Matt later confronts Fisk, who has no knowledge of the bounty (27).

13 April 2002: Matt finds out more about the bounty and confronts Fisk about it, but he again denies knowledge of it (29).

14 April 2002: Issue #26, which is when this issue came out, came out in October 2001. However, no date is given, so I used the date in issue #32 (see below) to date this. Anyway: Silke confronts Fisk and stabs him (26). Ben Urich is informed of the attack (27). Elektra sends a note to Matt about the bounty and is attacked by Shotgun and Boomerang (28). Vanessa learns of Fisk's "death" and flies to America (29).

15 April 2002: Vanessa arrives in New York (assuming it took her overnight to get there from Switzerland) and plots revenge (29). Matt talks to Urich about Fisk's death, while Vanessa gets Fisk out of the country but stays herself (30). Urich tells Matt from where the hit originated, and Matt goes to Falzone, whom Vanessa has already killed; Vanessa kills her son Richard and orders Dini to kill the rest of the conspirators; Silke escapes and goes to the FBI (31).

16 April 2002 (midnight - 3:11 a.m.): Silke gives up Matt to the FBI, but the director says no one is to use the info (32). That night, one of the agents sees Natasha at Matt's brownstone (33).

17 April 2002: The agent, desperate for money, calls the media (33).

18 April 2002. This is the Zero Point. It's clearly marked on the cover of issue #32, so I have to build the timeline around it. Anyway: The Globe breaks the story (32), the media descends on Murdock's place and Foggy tells him it's time to retire (33). At some point during the day, Nick Fury visits Matt in his office (65). Urich and Peter Parker tell J. Jonah Jameson it's not true (34). Mr. Hyde shows up and attacks Matt's brownstone, and Spider-Man helps out (35).

April 2001: Matt meets Captain America in Central Park (65).

4 May 2002: Matt tells Urich they can't be friends anymore (35).

5 May 2002: Matt holds a press conference (35) and tells the world he's not Daredevil (36).

26 May 2002: Natasha, disguised, visits the office, where Luke Cage and Jessica Jones are already bodyguards (36). Presumably, later that same night, Matt has dinner with Vanessa, who gives him the name of the FBI agent and tells him she's sold everything and is leaving the country. Elektra meets Matt because Natasha called her (36).

After this, time may stretch a bit. Bendis doesn't give us many clues as to when things happen, but I have a feeling that the parts in issue #37 follow soon afterward. Let's give it a few days, shall we?

1 June 2002: Mr. Ingersol, the lawyer of Mr. Rosenthal, the owner of The Globe, visits Matt and tells him to stick it; Daredevil visits the FBI agent, who promptly disappears (37).

2/3 June 2002: Rosenthal settles, then takes it back (37).

Summer 2002: Jury selection for the White Tiger trial (38); the trial and death of Hector Ayala (39-40).

At some point in the summer of 2002 but before 3 September, Wilson Fisk visits Mary on the set of her soap opera and turns her back into Typhoid Mary (46) and also goes to Bolivia and kills his former lawyer, Dini, who helped Vanessa kill Richard (46). The dates for September 2002 are approximate, obviously, based on when Matt married Milla.

1 September 2002: Matt rescues Milla and the Owl tries to take over Fisk's territories (41).

2 September 2002: Milla talks to Lori about having a crush on Daredevil; Matt stops a MGH transaction and busts in on the Owl; the Kingpin kills Rosenthal; Milla meets Matt; Luke and Matt argue; Matt and Milla's first date (all of this from 42-43). At the end of their date, the cops come to Matt's place and take him into custody over Rosenthal's murder (44).

3 September 2002: The Owl finds out about Matt and the murder (44). Fisk kills Silke (45). The FBI, with help from Daredevil, shuts down the Owl (45). Typhoid Mary and Fisk break up an intrusion by Sano and the Yakuza (47).

4 September 2002: The FBI visits Fisk at Josie's Bar (47).

5 September 2002: Milla goes to see Matt; Typhoid Mary attacks him on the street (46). Matt, Luke, and Jessica beat up Mary. Soon after Agent Driver visits Matt, while Bullseye goes to Fisk and offers to kill Matt (48).

5-6 September 2002 (night): Bullseye attacks Milla, but Daredevil beats the crap out of him (49).

10 September 2002: Daredevil beats Fisk and declares himself the new Kingpin (50).

Early 2003: Matt for mayor? (56)

4 May 2003: Matt marries Milla. This is another hard and fast date - unfortunately, there are two of them. In issue #58, Milla tells Urich that she got married on 4 May - "about four months ago" - which jives with the Kingpin going down in September 2002, because it's been a year, and September is four months after May. In issue #61, the annulment papers clearly state 23 July as the date of the marriage, but that makes no sense, so I'll ignore it.

6 September 2003: Luke Cage, Reed Richards, Stephen Strange, and Peter Parker meet Matt and berate him (56). This is a strange date. It is clearly just before Sano and the Yakuza attack Matt, but it seems weird that they would meet Matt after a year of playing Kingpin. In issue #65, Bendis says it was soon after he became Kingpin, which makes more sense, but it's clearly incorrect, because it doesn't match up with the attack by Sano.

6 September 2003: Sano and his Yakuza attack Matt (56-57).

7 September 2003: Urich meets Milla (56). It has been "almost a year to the day" since Matt took down the Kingpin. So I say it's the 7th.

8 September 2003: Urich talks to Foggy (58).

9 September 2002: Urich visits the Night Nurse and finds Matt (58). That same day, Sano is released and kills Agent Driver (59).

18 September 2002: Matt and Milla reunite. Matt, Spider-Man, Luke Cage, and Danny Rand bust in on Sano and take him out (59-60). Milla leaves Matt (60).

After this, again, the dates get a bit fuzzy. I'm going to give the Black Widow story less than a week after the conclusion of the last one. Milla thinks Matt only married her because he had a nervous breakdown, and she wants an annulment. This has to follow closely on the end of issue #60, when she leaves him, but give her long enough to have the annulment papers drawn up. That's my rationale, at least.

23 September 2003: Milla wants an annulment. Madame Hydra is captured in Bulgaria (61).

24 September 2003: The Bulgarians want the Black Widow, and Nick Fury warns Natasha about it (61).

25 September 2003: Natasha shows up in New York (61). She and Daredevil beat up Jigsaw (62).

26 September 2003: The papers have the news about Daredevil and the Black Widow in action (61). The director of the CIA puts out a hit on Natasha. Jigsaw makes bail and visits Matt, who kicks him out. Later that day, Quinn shoots at Matt and Natasha during lunch (62). Jigsaw breaks into Matt's brownstone that night (63).

27 September 2003: Quinn is beaten and Fury takes him away (64). Bendis gives us a tiny clue, at least to the season. When Natasha leaves, the leaves are clearly falling around her and Matt. It's been a while since I've lived in the Northeast, so maybe the leaves fall a bit later. If we want to push this whole story into October 2003, I don't mind.

28 September 2003: Natasha arrests the Red Guardian (64).

Issue 65 is the big 40th anniversary issue. At the end of the issue, Bendis makes a HUGE mistake. On the dossier Del Toro receives about Alexander Bont getting out of prison, it says the date is 7 May 2005. That's wrong. I could accept the year, but he didn't get out in the spring. He definitely got out in the winter (see below).

27 November 2003: Bont gets MGH in prison (69).

1 December 2003: Bont gets out of prison (66). It's snowing, so it has to be winter. That's why the date of 7 May doesn't work. Strange screw-up by Bendis.

8 December 2003: Bont kills the fat dude (66).

9 December 2003: Del Toro investigates the murder (67). Bont visits Melvin and blackmails him into helping get Matt (69).

10 December 2003: Del Toro visits Matt and asks about the White Tiger amulet (68-69).

11 December 2003: Matt gets captured by Gladiator (67, even though the event technically occurs in issue #70). Del Toro rescues him, and Bont dies (70).

Now we get to the final two story arcs, which unfold in straight chronological fashion and after all the others. The "Decalogue" story (issues #71-75) appears to take place during the "lost year," especially because at the very end, Matt seems to have given up being Daredevil, which is what Urich told us happened back in issue #56. It could also take place after "The Golden Age." I think we should put it in the winter of 2002-2003. But that's just me.

Finally, "The Murdock Papers" definitely take place in the spring. Since it's the final story arc, I would put it in the Spring of 2004. The weather is nice, the trees are in bloom, but there are still some trees with bare branches. March/April 2004? Why not? Again, it's fairly straight-forward and doesn't occur over any significant amount of time. And then Matt's in prison at the end, setting the stage for Brubaker and Lark.

Although Bendis doesn't always succeed, it's kind of nice that he gave his run on Daredevil a sense of time moving forward. It's kind of cool, and it gave his run a feeling of relevance and, ironically, immediacy. It's the kind of thing I'd like to see more writers do.

So. How geeky am I?

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Friday, February 17, 2006

Marc Spector Kraves Your Krugerrands!

Moon Knight
So just go buy Essential Moon Knight so he can get a cut of the profits instead of forcing him to be a mercenary who tracks down werewolves!

Thursday, February 16, 2006

Comic Book Urban Legends Revealed #38!

This is the thirty-eighth in a series of examinations of comic book urban legends and whether they are true or false. Click here for an archive of the previous thirty-seven.

Let's begin!

COMIC URBAN LEGEND: Electronic ankle bracelet monitors were created based on a Spider-Man comic strip.

STATUS: True

We are all familiar with electronic ankle bracelets for criminals, especially during the coverage of Marth Stewart's home arrest.

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Electronic ankle bracelets essentially monitor the movements of criminals and/or people arrested and waiting for trial.

However, the idea behind the devices originated in an unlikely spot - a Spider-Man comic strip!

A New Mexico district court judge, Jack Love, read a late 70s Spider-Man comic strip in the newspaper, where the villain Kingpin was tracking Spider-Man via an electronic tracking bracelet on Spider-Man's wrist. Love theorized that such a device would work in real life, as well.

He struck an arrangement with a computer salesman to develop the devices, which were introduced in New Mexico in 1983. They proved to work well, and a similar device was then developed in Florida a year or two later.

Both tests were successful, and the product then went national, leading to the current arrangement today.

Thanks to Jody Klein-Saffran's piece here for the information (warning! It is a link to a pdf file).

COMIC URBAN LEGEND: Frank Miller coined the term "The Dark Knight"

STATUS: False

This statement is not as odd as one might think. It is clear that Miller popularized the phrase "Dark Knight."

Ocassionally, Batman would be referred to as a Darknight Detective, but until Miller's landmark 1986 series, Dark Knight Returns, the term Dark Knight was not popular.

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After Dark Knight, well, you all know how big the term has become.

A monthly ongoing title (Legends of the Dark Knight), a number of mini-series and plenty of captions over the 20 years since Dark Knight Returns.

The question remains, though, did Miller INVENT the term?

And to that, the answer is no.

According to a question raised in Bob Rozakis' "Answer Man" column, Shawn Kehoe replied,
In DETECTIVE COMICS #40 (page 159 of BATMAN ARCHIVES Volume 1), a caption in panel four reads, "A moment later - Batman, the Dark Knight, and Robin, the Boy Wonder..."
Thereby, the term "Dark Knight" predated Frank Miller by a good forty years.

Still, he gets to take credit for it being a POPULAR term...hehe.

COMIC URBAN LEGEND: Green Lantern lost the cover of his own comic book to his dog.

STATUS: True

In the late 1940s, comic book superheroes became less popular, sales-wise.

As I have mentioned in previous urban legends, this led to companies changing titles from superhero to crime stories (and later to westerns or science fiction).

One hero struck by the changing times was Alan Scott, the Green Lantern.

Written by Robert Kanigher, sales were already beginning to slump a bit earlier than most other titles, so, always looking to see what might be popular, and perhaps inspired by the success of the recent 1947 film, The Return of Rin Tin Tin (starring a young Robert Blake), in Green Lantern #30, Kanigher introduced Green Lantern's DOG, Streak the Wonder Dog (drawn by Alex Toth)!

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Streak proved to be popular.

So popular, in fact, that he would take the cover from Green Lantern only FOUR issues later!

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Even with the success of Streak, the title wasn't selling, so the comic was cancelled with issue #38 (Streak having two of the last three covers, including the very last one).

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DC did not blame Streak, though, as while Green Lantern's run came to an end, Streak continued to appear in Sensation Comics without a break.

A couple of years later, Robert Kanigher and Alex Toth re-developed Streak, and launched him into his OWN title as REX The Wonder Dog!

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The title ran from 1952 until the end of the decade. Green Lantern, meanwhile, made his last comic appearance in 1951. So, by the time the Wonder Dog's comic ended, there had already been a NEW Green Lantern around for THREE years!

Not a bad run, eh?

And whenever Aquaman feels bad about his cover history, he can always lord THAT over Green Lantern.

Well, that's it for this week, thanks for stopping by!

Feel free to drop off any urban legends you'd like to see featured!!

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What I bought - 15 February 2006

A calm day in comics. Nothing earth-shattering, but some decent stuff. Go buy Essential Moon Knight. Now that's some cool stuff!

And, in case you're inclined to skip this post (shame on you!), I will say one thing: lesbians!

DAREDEVIL #82 by Ed Brubaker and Michael Lark
$2.99, Marvel

Brian had some interesting thoughts about this, and I'll try not to go over his ground. I will say that even if he is the Great And Wondrous Overlord Of This, The Greatest Comic Book Blog EVER!, the next time someone references Frank Miller's run on Daredevil (from TWENTY OR MORE years ago!), they must be beaten with socksful (sockfuls?) of quarters and made to read "The Clone Saga" and write a 30-page term paper on it! I, on the other hand, will compare this issue to ... Karl Kesel/Cary Nord's run on the title. Just because I can!*

The nice thing about this is that Marvel is allowing these writers to continually fuck with Matt Murdock's status quo. Bendis, of course, destroyed the status quo, but there hasn't been any evidence of any "reset" option, like the obvious one in Dan Jurgens' Thor run. I very much hope that Murdock continues to grow as a character and experience this stuff and work through it, because that would be fascinating to watch. Brubaker takes what Bendis left him and runs with it well, bringing in a Daredevil doppelgänger, having Matt desperately trying to survive in prison while keeping his identity secret, and doing the ol' lawyering with Foggy and Matt. It's interesting and it sets up the epic battle between Matt and the System! I do like how Ben Urich points out that no one is exactly sure why Matt is in prison, which leads me to my problem with this issue:

Prison Life. I have ZERO personal experience with prison life, so what I "know" about it comes from popular entertainment. It all seems the same, doesn't it? As if every writer, instead of sitting down and interviewing people who have been to prison, simply puts in his/her DVD of Oz and writes that? Let's see: in this issue, we have the criminal hierarchy. We have the crooked guards. We have the gangs. We have the problems with getting access to our lawyers. My question is to all you ex-cons out there: How true is this? Is prison like this, or is this a horrible cliché? I have a feeling it's the latter, but I don't know at all. If Loren and his krew are going to break down courtroom scenes and archery, we need an ex-con to shatter the myths of prison in comic books! Let it be done!

Any answers, people? Anyway, interesting start of the run.

Oh, and should I know who Dakota North is? The name sounds familiar.

*I have never read those issues.

NOBLE CAUSES #17 by Jay Faerber, Fran Bueno, and Freddie E. Williams

I worry about Noble Causes, which as you know is the best superhero book on the market. Is it selling so poorly that Faerber needs to stoop to these tactics on the cover? And then, when you open it up, BANG! on the first page:
Noble Causes

Because this is the best superhero book out there, despite the shameless pandering, this is a very good issue that examines the relationship of Celeste and Dawn reasonably and realistically. Celeste doesn't want to go public because she is worried that the Nobles will take it badly, even though she's not a part of the family anymore. It's interesting to watch the evolution of their feelings, especially when Dawn tries to force the issue. The flashbacks show how they met and got together, and while they're a but rushed, they're certainly not annoying.

Yes, there's titillation in this book. The first few pages are nothing but Dawn and Celeste in teeny-tiny bikinis. However, I don't find it terribly offensive, because the characters have been developed over the course of the book and Faerber wants to examine what makes a relationship - any relationship - work when there are outside forces working against it. So there.

As for the fact that the two women are hotties who happen to be making out a lot - well, I can't speak for that particular cliché - the only lesbian I've ever known (that I knew about) was pretty stinkin' hot, so I guess that's that.

You really should buy Noble Causes, you know. The guilt you feel for buying Spider-Woman's new series instead of this will vanish like the rain from Arizona!

PLANETARY BRIGADE #1 by Keith Giffen, J.M. DeMatteis, and a bunch o' artists: Joe Abraham, Cynthia Martin, Eduardo Barreto, Mark Badger (where's he been?), and Chase Conley
$2.99, Boom! Studios

On the inside cover of this book, Ross Richie singles out The Johnny Bacardi Show, Progressive Ruin, and The Comic Treadmill as blogs that praise his company's books. Since he left ME off the list, I will no longer give his books ANY good word of mouth! Soon, he will feel how far up the food chain MY influence spreads! Bwah-ha-ha-ha!

Okay, maybe not. Because, despite the jarring art styles on this title, it's pretty good. It's Captain Valor's Justice League, and since it's Giffen and DeMatteis, you get the goofy humor, which not everyone likes, but I do.

It seems like they're trying to tone down the slapstick JUST a little (not a lot, but a little), which is nice, because if you've been reading Christopher Burton's very nice trip through each issue of the old JLI/A (and where's the next entry, Mr. Burton?), you know that the humor of those early issues wasn't just the whole focus of the book, it was adventures in superheroing with some humorous dialogue. There's more goofiness in this book than those old issues, but not as much as some of the other work they've done recently (coughDefenderscough). The Brigade, with such fun heroes as the aforementioned Captain Valor, the Grim Knight, Third Eye (the mystic chick), Earth Goddess (the living embodiment of the planet!), Purring Pussycat (the flirt of the group), and some alien dude (he's a Prissuvian) that they actually call "Mauve Visitor" (that's him holding the martini on the cover), are suddenly caught up in an extra-dimensional invasion (and who likes those?), which is centered on some poor schmoe who can't control it. The potential for goofiness is there, but also the potential for some good, old-fashioned superheroic adventures. I hope the guys go the way of those early Justice League comics. That would be cool.

I also hope they get a regular artist. The styles of all these artists really clash with each other. Badger has always been a much more bizarre stylist than, say, Barreto, and his work follows Eduardo's in the book, and it's a bit jarring. Each artist is fine on their own, but the way they flow into each other is weird.

There's a lot to enjoy in this book. It sets up the characters nicely, introduces a decent threat, gives us some action, some pathos (the guy who is the extra-dimensional portal wants to die, but he can't), and some future stories (Earth Goddess is a Miracleman-like amalgam, in that when she's not needed, she switches bodies with some dorky loser chick who doesn't like being possessed by the spirit of the earth). Fun stuff. It wouldn't kill you to buy it.

There, Mr. Richie. I hope you're happy. This is because I didn't like 10, isn't it?

SHE-HULK #5 by Dan Slott, Juan Bobillo, and Marcelo Sosa
$2.99, Marvel

Is anyone else disturbed by that leering horse on the cover? No? Okay, moving on ...

According to the letters page, this is Bobillo's last issue on the book. That's a shame, because I think part of the fun of She-Hulk is its distinctive look, especially how Jennifer is so mousy and diminutive. Bobillo really gave the book part of its spirit, and I hope future artists are able to continue that. Art is usually not the make-or-break item for me on a book, so it probably won't drive me away unless it gets really bad, but it's a shame that Bobillo won't be around.

This issue concludes the whole Time Travel thing, as She-Hulk brings the Two-Gun Kid to the present because if he went back to his own time, he'd try to fix everything he knows about the future. So Jen has to keep an eye on him. He fits right in at the law firm, even though he experiences some culture shock. The ladies, especially Mallory Book, love him, which makes Awesome Andy grumpy, since he has a crush on Ms. Book. The whole issue is basically integrating the Kid into society, and it's done deftly by Slott, with a minimum of fuss. It's a pleasant, funny, nicely done single issue. So nice to see. And Slott continues to impress with nice little ideas - like the guy who was sent forward in time only two weeks. He's just peeved that he's backed up at work and he's missed all his favorite television shows. It's just a throwaway kind of thing, one that might get overlooked because it's on the same page as the time-displace caveman, which is broader, but it's nice attention to detail on Slott's part.

SUPERMARKET #1 by Brian Wood and Kristian
$3.99, IDW

The first order of business about this book is that during transit from the comics shoppe to my house, the front cover was bent slightly. Look at it!
Cover
It's no longer MINT! Oh, the horror!

Anyway, Brian Wood, who apparently got jealous of that other Brian - Bendis - has now decided to take over writing everything that Bendis hasn't gobbled up already. This latest offering is pretty good, although either Wood is a hella lot of years younger than I am or he's way too enamored with the youth ethos. About halfway through the book I was prepared to absolutely loathe Pella. She's the spoiled rich girl who is the star of the book. Her parents give her everything and she doesn't appreciate it, and she narrates idiotic crap like: "I'll spend [the money] on music downloads, and Indonesian knock-offs of popular American sneaker styles. Those are slightly less evil industries I can deal with supporting." Ooh, Pella, you're so cool! Can we hang at the mall and shop at Hot Topic together? We're so indy!

Then her parents get killed. This is where the story gets interesting, enough to keep me on board. Pella might actually have to confront certain things in her life instead of whining about them. Pella might actually have to deal with some of her beliefs instead of just bilking rich people out of their money with fake charities. In fact, the end of the book makes me appreciate what Wood did in the beginning, setting up Pella as kind of a tool, because now we're interested in seeing how this pampered kid will deal with this mystery into which she's been plunged. It might suck, but so far, it doesn't.

Wood has created an interesting world - one that cribs from a lot of other dystopian futures, sure, but still interesting. Supermarket looks neat and promises a lot. We'll see if it pays off!

MINI-SERIES I BOUGHT BUT DID NOT READ:

THE KEEP #4 by F. Paul Wilson and Matthew Smith
$3.99, IDW

I trust the first three issues enough to give the final issues a chance. Don't let me down, Wilson!

X-STATIX PRESENTS: DEADGIRL #2 by Peter Milligan, Nick Dragotta, and Mike Allred

On Page One, Dr. Strange shops at a Pathmart. That's awesome.

There you go, people. I have questions, and you better have answers! I'm far too lazy to look them up myself!

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Get the Indy Vote Out!!!!

My pal Brandon Hanvey is holding the fourth annual Independent/Small Press Awards (the ISPies) at Comic Book Resources, for comics that were released in 2005, and I urge all of you to go out and vote in the finals!

Some of the nominees include Comics Should Be Good favorites such as Tales Designed to Thrizzle, Brian Wood, Action Philosophers, Adrian Tomine, Nat Turner and more!

Click here to vote! Voting ends in a week! It'd be really sweet to see a good turnout for voting.

My votes were as follows...

1.Outstanding Publisher/Company
Fantagraphics

2. Oustanding Writer/Artist
Bryan Lee O'Malley (Scott Pilgrim)

3. Outstanding Writer
Alex Robinson (Tricked)

4. Oustanding Artist
Kyle Baker (Nat Turner)

5. Most Promising Talent
Aaron Renier (Spiral Bound)

6. Outstanding Issue
Tales Designed to Thrizzle #1 by Michael Kuperman (Fantagraphics)

7. Outstanding Series
Action Philosophers by Fred Van Lente and Ryan Dunlavey (Evil Twin Comics)

8. Outstanding Graphic Novel/Collection-Original Material
Scott Pilgrim Vol. 2: vs. the World by Bryan Lee O'Malley (Oni Press)

9. Outstanding Trade/Collection-Reprinted Material
Demo by Brian Wood and Becky Cloonan (AIT/PLanet LAR)

10. Outstanding Comic Cover/Book Design
Spiral Bound by Aaron Renier (Top Shelf)

Click Here To See Who I Voted For!

Wednesday, February 15, 2006

Judging (Marvel's May) Books By Their Covers

Marvel's May Solicitations are up, so let's make some prejudgements based just on the covers (as we all love to make prejudgements, don't we?).

Let's begin!
___________________________________________________

Yep.



That IS a drawing of a lot of ships.

Can't take that away from it.
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NOOOOOOOOOOOOOO!!!!



ULTIMATE DOOM HAS FEET!!

This ruins EVERYthing!!!

Ultimate continuity is RUINED!!!!
___________________________________________________

I hope that big guy is a new Ultimate villain!



I have been waiting so long for another Geldoff!!
___________________________________________________

Subway has been getting a lot more aggresive in their weight loss ad campaign!


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I am not sure what Eaton was going for with this Fury cover, exactly, but I do not think he pulled it off.


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I can't be the only one who looks at stuff like this new Marvel Adventures: Avengers really cynically, can I?



Like, "Hmmm...who can we make a woman? Is there anyone who could be black? Can Thor be black? Hey, Storm is black AND a woman! SCORE!"
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See, now this is a fun Marvel Adventures: Spider-Man cover!



Good job by Amanda Conner
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Woah, first the joke right out of the 60s, and now this cover...



Marvel Adventures: Fantastic Four must think it is still 1963 outside!
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I once worked in Stamford, CT...



Damn you, Marvel!!!

Interesting that they're letting Ron Garney do the covers for Amazing Spider-Man.
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Clearly, THE best superhero cover artist working today.



Clearly.
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I gotta tell ya...



...if he ever wants to stop "drawing" comic book covers, I think Greg Horn has a real future in comedy.
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Humberto Ramos on Wolverine is really weird, but I will admit, I don't mind this cover.


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In his recent chat at CBR, Karl Kesel was asked about the new Spider-Man costume...



He responded, "I love it. I love it. I love it. I want to marry it."

....

...

"I hate it."

Admirable honesty...hehe.
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This Last Planet Standing cover is what I would call a good throwback cover.



Oh, and I continue to be amused at the idea of a comic universe devoted solely to Tom DeFalco.
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Very clever Spider-Girl cover design by Ron Frenz.


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This has got to be the first Clayton Crain cover that has an actual bright background.

Now I know why he likes his covers murky...hehe.



By the way, this issue features: Lizard, Man-Wolf, Vermin, Madame Web, Black Cat and Puma.

Do you think Aguirre-Sacasa has forgotten what decade it is?
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Is this Spider-Man Unlimited cover an outtake from Marvels? A panel Alex Ross didn't use?



And I do not want to know where Jay Anacelto got the photo references for liquid dripping off someone's chin.
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Spider-Man Loves Mary Jane is a fun book...



But you don't get much more boring than this Takeshi Miyazawa cover.
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ANNIHILATION COVERS!!!

I am grouping them together because they are all by Gabriele Dell'Otto, and, well, they're all basically the same level of quality.







You'd think he'd want to mix things up a bit, but I guess he is figuring, if it ain't broke, don't fix it...hehe.
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I like Copiel, but I think he went a little TOO understated for this Black Panther cover.


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It is interesting to see Weston shift from more realistic art for the covers DURING the series.



Still, this Fantastic Four: First Family cover has a nice layout to it.
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YOU MONSTERS!!

IRON FIST CAN'T BREATHE IF YOU COVER UP HIS NOSE!!



Not a great Daughters of the Dragon cover.
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Dan Slott, take care.



You still have the honor of having written the best Doc Samson mini-series.
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I like Lee Weeks' art a lot, so I don't get why he seems to be doing such an affected job on this cover.



I like Jack Kirby, but I don't want Lee Weeks to try to look like Jack Kirby. I got enough of that during Perez and Byrne's FF runs (Byrne's first run).
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More Iron Man covers should have Tony Stark in an undershirt.



And he should have a perm again, like during the 80s!
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Nice cover.



I am impressed by how Frazer Irving manages to convey emotion on Iron Man's helmet. Very nice job. Iron Man: The Inevitable has had some very impressive artwork from Irving.
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Not impressed by this Marvel Team-Up cover from Phil Hester.

Very blah.



Not a bad drawing, though.
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Oh, now a handbook for the 70s!

Not niche-y enough, Marvel!



I want an official handbook for 1983!!

Marvel Tails starring Peter Porker the Spectacular Spider-Ham!!

Krull!

U.S. 1!

Obnoxio the Clown!!

Saga of Crystar, Crystal Warrior!!!!!!!!

This must happen!

Ah well...I give it three years before it actually happens.
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I liked Sal Velluto on Black Panther.



Man, how ugly was that Storm outfit?
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Talk about irony...using photo refs to draw photos.



By the by, these "rewriting old comics" comics have not been all that inspiring so far. Anyone enjoying them out there?
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I love covers that perfectly encapsulate a comic, and whether you would enjoy it.



If you dig this cover, you are the audience for this comic book.
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I think "The Renderer" could be the name of a super cool villain, don't you think?


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This New Avengers cover looks like a case for Sherlock Holmes...



"The Case of the Purloined Lines"

It is madness!! The characters, they are not surrounded by any lines! The streams, they are crossing!!!!
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FINALLY, a comic that puts women in their place!


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I wonder what kind of dramatic impression the world of Underworld will have upon the Punisher.



This could shape up to be the crossover event of the year.
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Two teams on opposing sides of the cover?

Check.

Giant characters holding characters in their hands to signify they are controlling them?

Check.



So...what 60s cover cliches are the Thunderbolts missing out on?
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This is a nice, clever, funny cover by Andrea Di Vito.



Thing is lucky to have him drawing it.
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At what point do you think Gurihiru gave up on attempting to draw the Iron Man costume in detail?



I say two minutes in.

Ron Frenz Rule of Costume Design - live by it!
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Very strong Travel Foreman Ares cover.




Is Travel his real name?
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Nice Hulk cover by Ladronn, however...



it seems like he is repeating the covers a bit.
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Hey look, Black Tom is back!

And he is carrying a big bag of suck!



Oh wait, that's just Excalibur's reflections...sorry.
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Paco Medina, tsk tsk tsk...doing a cover homage and not adding an "After Byrne" note.



Tsk tsk.
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This is a pretty cool cover by Dave Ross.



Granted, any cover with Flag-Smasher, Domino and Deadpool is BOUND to be good, right?

Right?

Right?!?

Ah, who am I fooling...
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To recap...Sentinel Squad One is a prequel to the events in the current X-Men titles.



Because, you know, you need to know the full backstory of peripheral characters in X-Men.
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Son of M #6 just broke the record!!

What record?



The most covers of a comic mini-series involving just showing a character standing still in the middle of the street!!

Woohoo!! Num-ber One! Num-ber One!
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Yikes! Mike Mayhew needs some new photo references!!

No offense intended to the children depicted in the cover, of course.



Okay...I guess I understand that SOME offense was going to occur...hehe.
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This looks just like this cover Bachalo did on his first stint on Uncanny X-Men!

Or am I totally wrong?



The one with Bishop and Deathbird.
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A fan upset with Shani Davis, I am sure.



Look at that! Topical humor!!
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Good drawing by Sook, but I do not know if it is that gripping of a cover.


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All we need is for Vin Diesel to do the voiceover.
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Certainly a STRIKING cover, but also not all that clear of a cover.


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Look how smug Poccy looks on that cover!

THAT is why he is a villain!



Yes, I have decided to call Apocalypse Poccy from now on.
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Wow....X-Men: Fairy Tales and Mangaverse.



Does C. B. Cebulski ever pitch a NORMAL series to Marvel?
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Gene Ha?

Really?



Gene Ha?

That X-Men: The End cover?

Gene Ha?

Wherefore art thou, good Gene Ha?
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Cool Allred cover, but not good enough for top five!!


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Colorforms...I am telling you...colorforms.


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Well, I will give him credit, he gave us a nice background for the colorform on this cover.


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I really gotta give Cho credit for his adapted style on these Ms. Marvel covers.

Nice work.



Striking cover.
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This Four cover has to be one of the cutest final issue covers ever.

Almost top five just based on cuteness.



But it didn't
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TOP FIVE!!!

5 and 4. POSE-OFF!!!

First, #5's Stuart Immonen's Nextwave cover depicts the group vogueing their way quite nicely.



However, #4 (and the winner) belongs to the esteemable Marcos Martin with this moody Runaways cover.



Someone give Marcos Martin a regular gig - STAT!
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#3 Tommy Lee Edwards has been striking gold with his recent covers.

Such depth and forcefullness.



VERY nice.
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#2 A nice posing Captain America by Epting.

However, this one also strikes the mood and theme of the issue, which is rare for posing covers.



So, kudos to Epting!
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#1 belongs to the great Richard Corben, with this cover to Marvel's rather odd book, which is adaptations of Edgar Allen Poe work.



Totally out of left field, but appreciated.
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Well, that's it for this month!

Feel free to weigh in with your prejudices (and your top five covers)!

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