Saturday, January 08, 2005

Happy Birthday, Paul Teel!

I know it is not about comics, but I figured, there's only gonna be six of these in a year, so it will not kill us if I spend an entry wishing one of my blogmates a happy birthday.

Happy Birthday, Paul!

Friday, January 07, 2005

Can a Comic be TOO Au Courant? - The Intimates

Joe Casey's The Intimates is a very modern comic book.

The question that arises from that statement, though, is this - is being a modern comic necessarily a GOOD thing?

The title is about a group of teenagers training to be superheroes.

The group is, as follows,

Punchy - The wiseass of the group, Punchy has an alien puppet as his "power" (wacky, eh?)

Duke - The good natured jock of the group. I think his powers are just the traditional big and strong

Destra - When she bites off and spits her fingernails, they explode. She's very emotionally distant.

Empty Vee - She is invisible, and can turn visible. She is really fat. That's about her personality. She's fat. She's a fat superhero.

Sykes - He has some sort of shield-like forcefield. He doesn't speak.

Kefong - He's an international student. He likes Dean Martin. I'm sure we'll learn more later.

In any event, what makes the book "different" is that it is stacked with content. STACKED. Every page has these little scrolls on the bottom like pop-up video that gives us information about the characters and the situations. Really good stuff.

In addition, there are quick cuts and flashbacks in the book to flesh out the characters' pasts. Like a quick panel to show a summer romance that Destra had.

Stuff like that.

It's a good idea, and in that sense, the modern approach of Kelly really works.

Some spoilers here...

The plot of #1 was basically all introduction.

The plot of #2 was better. Punchy wants to sneak into Mr. Majestic's headquarters, and wants Duke to go with him, except Duke is having conspitation.

It was a fun issue with a lot of good character interaction.

#3...I wasn't as impressed. The basic gist is thatEmpty Vee and Punchy meet for a blind date, and Punchy treats her like total garbage.

Here is where I have some issues with the series. Casey wants a "modern" style of characters, without the typical type of character. However, I think that is a mistake, because I think there is a REASON why characters in fiction are generally likeable, or have personalities we can get into.

He has cited Curb Your Enthusiasm in the past as an example of what kids are "really like," and he's right.

But you it is really hard to be able to pull stuff like Curb Your Enthusiasm off. Hell, Larry David HIMSELF couldn't pull it off with the film Sour Grapes.

And here, I think Casey comes up short.

The characters just aren't engaging enough, and when you're asking readers to invest a LOT of time into every issue, the characters better be DAMN interesting.

Here, they just aren't.

At least not yet.

In addition, depth is a great thing...but it is better when there is a degree of intelligence behind the depth.

In Intimates, the depth of the book is almost like a "background noise," in that it's just there. It's just "extra information." While that's fun, in and of itself, it's not as good as it could be.

For instance, Casey has been here before with the title he did with Ashley Wood for Wildstorm, Automatic Kafka. I really loved that book.

And the two books are quite similar.

The two big differences between the books, though, is that:

1. Giuseppe Camuncoli is no Ashley Wood. I mean, Camuncoli is GOOD...but he's not Ashley Wood good.

2. Kafka and Intimates share a depth, but Kafka had intelligence behind its depth. For instance, there was an issue where Casey was doing a take on the Peanuts gang, and in the background, there was a sheet of music. Now how many people are going to be able to read sheet music? I know I certainly cannot. My girlfriend DOES, though, and when she saw that, she pointed out to me that it was, in fact, the sheet music for "Linus and Lucy." (or some other Peanuts song, I forget). Now THAT'S impressive depth.

In addition, Jim Lee just isn't a really good character designer. When's the last time you were impressed by a Jim Lee character design?

Thursday, January 06, 2005

Ridiculous Superhero Nerd Fun

I just thought up a new game. The rules are easy.

1. Select your favorite seven (7) currently-running superhero solo titles.

2. Name them.

3. Now imagine them together as a super-team.

It's a fun game, you should try it. Post your super-teams here! It's like being Bendis and Marvel owns everything!

Justice League Elite - A Change in Scenery Can Make All the Difference

I was not a fan of Joe Kelly and Doug Mahnke's JLA.

I think Mahnke killed the book early on, when Kelly was basically trying to write just like Mark Waid (who, in turn, was trying to write just like Grant Morrison). In those early issues, the book needed an artist who could capture the attention of the mainstream. Someone like a Howard Porter or a Bryan Hitch. Both of those artists were put on JLA because there was a lot of attention being paid to their art on OTHER books, so DC "promoted" them to JLA (okay, I guess you could call Hitch's move a "transfer").

That was not the case for Mahnke. He was basically "the best guy we have readily available." And heck, I do not even know if that's accurate or not, which I think is fodder for its own conversation ("Who should have been chosen as the JLA artist?").

So early on, Mahnke's dark style killed the direction that Kelly was taking the book. So Kelly, then, decided to gear the book more towards Mahnke's art. And that's when the book just really took a nose dive.

It was not a bad book, but it wasn't a fun book.

Superman, Wonder Woman, Batman and Green Lantern running around in a dark book? Just didn't make sense.

And then Kelly added new members, and all the same complaints people normally have when writers add pet characters to the team arose - "You're shortchanging the book by playing with your personal pet characters." Which was fair, I think, as Manitou Raven, Faith and Major Disaster suddenly got a lot of time in the book.

In either event, when they finally left the book, it really was for the best.

So the fact that a title by the same creative team (Joe Kelly/Doug Mahnke/Tom Nguyen), with a cast of Manitou Raven, Major Disaster, Flash, Green Arrow, two parodies of Authority members, and the SISTER of a parody of an Authority member (whose powers arose from a throwaway line in a comic from 3 years ago!) is a GOOD comic is, well, surprising.

And it really is a good comic.

In every aspect that Mahnke did not match up well with the tone of JLA, he DOES match up well with the tone of Justice League Elite, which is a darker tone. I really do like his art, I just like it to fit the tone of the book he is drawing. For instance, his art on the latest issue of Batman just blew me away it was that good (and fitting).

Really, though, the reason why the book succeeds is that Kelly has given these ciphers full fledged personalities. It is one of the greatest tenets of serial fiction...if you create fully realized, interesting characters that the audience can care about, then the plot can be generic, and you'll still be interested, because you want to see how this group of characters handles the situation.

The way Kelly does this is by having the characters exhibit different facets of their personalities. They laugh, they fight, they drink, they emote...we see them from such different angles at all times. There's a scene where the stern leader actually cries a tear of pride after something the Flash said.

The book is about a group of reformed villains (and some heroes) who work undercover doing good deeds secretly. The only problem is that they are considered villains by everyone else, and they can never reveal that they are secretly good guys.

Okay, now I'll tell you who's who in the book, as well as give a description of the plot so far, and finally tell you a few of the highlights so far.

Vera Black - Sister of the Manchester Black, the guy who formed the Elite, and eventually killed himself after being awed by Superman's kind nature. Vera's arms are robotic, and they allow her to do all sorts of crazy crap. She is stern and tough, but also playful at times, and sometimes even sorta tender.

Coldcast - The only remaining member of the original Elite. This guy has some sort of electrical powers. In reality, I may have misspoke...as I really cannot think of a member of the Authority that he was meant to parody. In any event, he is trying to atone for all the awful things he did when he was a member of Manchester Black's Elite.

Menagerie - Her sister was the original Menagerie, which means that she was the host body for a whole pile of crazy demons. Basically an Engineer parody. Her sister was lobotomized by Manchester Black, so she now took her sister's demons to fight the bad guys.

Manitou Raven - One of Kelly's additions to the JLA. He's a Shaman. But get this, he's Apache. And he's a chief. So yes, he's Apache Chief for the new millenium. One of the ideas I think Kelly just loved way too much. In any event, he comes from a different time (1000 years ago), so he has different views on things like gender roles in a marriage.

Dawn Raven - Manitou's wife. She came with him from the past. She is home to one of the most drawn-out subplots in recent years, as Kelly has obviously been setting her up for an extra-marital affair for the last two years...something she finally consumated with her Elite teammate...

Green Arrow - Here only as a tactitian and backup support, he has ended up getting involved with Dawn.

Major Disaster - Ex-villain and Ex-JLA member, Major Disaster is uncouth, and his heavy drinking is beginning to become a problem. The interesting thing about him, though, is that his problem seems to be the fact that he thinks that something below board is going on in the Elite...which is what he joined them to get away from.

Flash - Wally is currently pulling double duty on the Elite and the JLA. Mostly, he doesn't even appear with the team, except sometimes in alternate costumes. He just shows up when they're pulling off scams (like switching "dead" bodies for people).

Kasumi - A legend who had killed hundreds of people by the time she was 12. She now lends her abilities to the team to atone for her past mistakes, but she has a deep secret.

Naif Al-Sheik - An espionage legend who was chosen by Vera to be the laison between the team and the governments of the world because of his world-renowned sense of integrity. He agreed under one condition - there will be NO killing!

Okay, here comes plot decriptions! Including spoilers! So be forewarned!

#1-3 details the team's first mission, to stop this group of mercenaries from killing a kidnapped bad guy. Vera disguises herself as Deathstroke, and along with Kasumi, they infiltrate the group. Once there, they realize the team's REAL purpose...not just to kill the bad guy, but to kill the entire country he's from! The team intervenes (even after Vera's cover is blown by Wormwood, a werewolf member of the team of mercenaries), and saves the day - with no casualties. However, after it is all settled, a bolt of lightning comes down and kills the bad guy. Their first mission - and already a casualty!

#4 shows the team react to the fact that someone among them might be a murderer. Green Arrow and Dawn continue to flirt.

#5-7 has Coldcast involve the team in an undercover operation to work with his little brother as well as some aliens who are dealing drugs. In addition, Green Arrow and Dawn get together, and Manitou finds out. There is discord in the Elite. The JSA guest-star, and a drunken Major Disaster accidentally knocks Kasumi and her blades into Hawkgirl, sending Hawkgirl to the hospital.

Great moments in the Elite, so far (more spoilers)

In #1, Manchester Black's final monumet...a plaque over a toilet - "May you rest in P"

In #4, the exchange between Manitou and the spirit God, where the Spirit God can't think of any good insults.

In #4, how Vera lies to Wonder Woman's lasso.

In #6, how Green Arrow alerts Black Canary to the fact that the Elite are undercover (an arrow with a note.

In #6, the biggest reveal of the series, that Kasumi is really Batgirl, placed by Batman undercover in the Elite.

In closing, one of the coolest things about Justice League Elite is the fact there's a lot of content in it. This is not a five minute read, and I really appreciate it. Not just in Kelly's writing, but in Mahnke's art. The detail is impressive, and only doubly so when you consider the fact that Mahnke is usually drawing two books a month. Not too shabby, eh?

Well, there was your first "You Decide - 2005" entry.

Joe Rice Media Review 1/6/05

Happy New Year, happy new media review. Happy new ability to see my floor again. Yes, I've been housecleaning. And I'll soon be housecleaning again. But even the potential wrath of the fiancee and potential disaster for an upcoming shin-dig cannot keep me away from you. I am drawn to you like writers are drawn to stupid titles. I cannot resist.

This (shame, I know, shame) was my first ever issue of Flaming Carrot Comics. It will also be my last. THAT IS UNTIL THE NEXT ONE COMES OUT! Oh, man. I so fooled you. You totally thought I didn't like it when, in fact, I did. Wonderful dada tard fun. Why I've missed it for so long I do not know. The art is primitive, but who gives a shit? It's funny and it's unique and it works. This is a good comic.

Lapham's run on Detective Comics is one of those rare comics where I can't judge it quickly. I'm not sure HOW I feel about it. Yes, it's dreadfully dark at times. But it is not without hope, not without warmth. We see sides of Batman that most hack writers out there don't dare show: compassion, weakness, humanity. The back-ups by Carey and Lucas are interesting enough to keep holding me, too. This could be something great; but I see fanboys shitting on it without hesitation. I think this is a good comic.

There's not much of note in The Spectacular Spider-man. A few decent jokes, I guess. But Sarah is drawn with too much attention on her boobs and I find myself, without JMS around, not caring about Spidey again. Eh, I tried. This is not a good comic.

So, yeah, I went ahead and tried the post-Jones Incredible Hulk. The art is OK, but seems less like Lee Weeks and more like JRjr junior. And the writing . . .it's not awful, I guess. But, for the love of shit, can author's please stop using "Tempest Fugit" or any other variation thereof as a title? Shit, people. Trying hard to be clever makes you look like a jackass. So, uh, Hulk kills a shark cause he's hanging out on the ocean babbling about Banner. We get some "interesting" (emphasis on the quotes) flashbacks about Banner's high school yearssszzzzzzzzzzzz. Oops, sorry, fell asleep looking at the comic again. Then we get a whole page of Banner explaining why the Hulk can be underwater for so long. That's very "interesting" too. Stupid self-conscious joke (from PAD?!?!? NO! I'm SHOCKED, I tell you, SHOCKED!) about blind characters and some monsters and cliffhanger. I guess, in a better-written comic I'd be interested by the cliffhanger, but I've no reason to believe the next issue will be anything but "interesting." This, by no means, is a good comic.

Deadshot tries much less hard. All this comic wants to be is a good noirish vigilante story. It's violent, it's very grim, and the world is pretty bleak. But Deadshot succeeds in its every aspiration. It is an entertaining work, full of dark cathartic action, soft, fluid art, and a bad man doing awful things to worse men. And the cliffhanger on the last page of this book DOES make me want to read more, because I'm fairly sure I'll be able to get more of the same work. This is a good comic.

In a perfect world, Jubilee would be given room to florish. It would be given proper marketing. It would be sold somewhere other than geek caves. Casey Jones would do the interiors as well as the covers. Kids would have access to it and it would be cheap enough for them to use it as disposable entertainment. The writing would be much the same. Also, in a perfect world, I would have Yoshi-san from Sushi Yasuda at my beck and call whenever I wanted. And Batman would be the president. This comic is good, if anyone cares.

Hot dippity damn, The Question is a great comic. It's interesting, it's beautiful, it's original, and it's respectful to the reader. I don't need everything spoon-fed to me. I need an engaging story that I care about. And this is it. Part of me wants to say, "Aw, man? Only six issues?" But the other part knows that ongoings get boring and get taken over by Claremonts and Dixons. If these guys have another story to tell, about any character, I'm there. This is a good comic.

The New Avengers is less bad than the last issue. That's faint praise, but it's actually decent. Things happen. The dialogue is still retarded film school sophomore year "I just saw a Mamet movie and think I get it" garbage, but the plot starts to move. But trying to curse without really cursing much leads to dumbness. "Spider-ass." Uh, OK. The ending was pretty creepy. I guess I'll give it another issue. I'm not sure if I'm ready to call this mess a good comic yet, though. I'll wait for judging it.

Some of Robert Kirkman's Marvel work, good, has failed to capture the spark of his own stuff. Fantastic Four: Foes comes much closer to getting that "Invincible" brilliance. The art is clean and crisp and not boringly realistic. The plot moves along quickly. The dialogue informs, entertains, but does not distract. And the ideas are interesting. It doesn't take itself unduly seriously, but it isn't all throw-away stuff, either. If JMS can't make the FF work after Waid's snoozer of a run, Kirkman would be worth a shot. This was a good comic.

Ultimate X-Men has never, ever worked for me. Even when Vaughn, who I like quite a bit, took it over I didn't give a shit. But this issue, the first of a new arc, starts to hit for me. I picked it up because, growing up, I loved Longshot. Just adored that stuff. So I wanted to see what he'd make of him. And so far, it's interesting. Reality TV + political oppression and the right combination of innocence and skill and, of course, luck. The characters are fun. Kitty Pryde shows me why on earth people would like her for once. This was fun, if light, superhero stuff. Good comic.

The comic I really couldn't wait to read, the one I stared in the train station, was
Captain America. Lark's bits were just beauties to behold. I wish he was the artist on the whole thing, honestly. But there's nothing awful about Epting. Brubaker's writing can overcome dull art in a heartbeat. I honestly don't know where this is heading, but it's exciting. This isn't exactly Cap in the Sleeper world. But it's a take on Cap's world we don't see that much, especially this skillfully. Hell, any comic on which Busiek and I can agree must be doing something right. This was a damn good comic.

Wednesday, January 05, 2005

You Decide - 2005

This is much cooler than that silly Marvel one from a few years back.

Here is my offer...you folks out there all pick a comic title that you think is good (let's try to keep it recent, unless it is an older story available in trade format), and I'll try to hunt down a couple of issues or a trade (no guarantees I'll find them, but I think I'll be able to do okay), read them, and put up an entry about it.

So a whole entry just on one comic...hopefully it will bring the attention of the two people who read this blog (plus the 5 other blog writers, so hey, that's seven possible new readers!!!).

Sound cool?

If so, then you decide!!


Tuesday, January 04, 2005

Ah, hell.

If you're reading this, you probably already know Will Eisner died.

I'm not really qualified to say anything pretty about him. A good man that lived a good life. I'll have a bourbon in his name tonight, if you'll join me.

Monday, January 03, 2005

Defending the Rights of the Fictional

Here's an old chesnut I dug up, and figured I'd share with everyone anew.

UNITED STATES FEDERAL COURT
SECOND CIRCUIT, SOUTHERN DISTRICT
--------------------------------------------------------------------x
In the Matter of
RALPH DIBNY,
Plaintiff,
Index No.:

COMPLAINT
-against-
DC COMICS,
Defendant.
----------------------------------------------------------------------x
PRELIMINARY STATEMENT
1. Plaintiff RALPH DIBNY brings a claim of wrongful death against Defendant, DC COMICS

2. Plaintiff RALPH DIBNY bring a claim of intentional infliction of emotional distress against DC COMICS.

PARTIES AND VENUE

3. Plaintiff RALPH DIBNY, “Mr. Dibny,” resides at 1960 Broome Street, Opal City, (US State other than New York).

4. Upon information and belief, Defendant, DC COMICS, “DC,” has a place of business at 700 Broadway, New York, New York 10019.

5. This Court has subject matter jurisdiction over this case pursuant to 28 U.S.C. 1332, in that this case presents a controversy between citizens of different states in which the amount in controversy exceeds Seventy-Five Thousand Dollars ($75,000.00). Venue is proper in this judicial district pursuant to 28 U.S.C. Section 1391(a)(2) & (3). This Court has personal jurisdiction over the defendants under the New York State Long Arm Statute, Sections 302(a)(1) and 302(a)(3)(i) of the CPLR.

FACTS RELATED TO MR. DIBNY’S CASE

6. DC published a comic book on June 9, 2004 titled Identity Crisis #1. In the comic book, Susan Dibny, wife of Mr. Dibny, is brutally murdered, while carrying Ralph’s unborn child (the fact that his wife was pregnant was unbeknownst to Mr. Dibny). The purpose of the murder of Mr. Dibny’s wife was to kick off a significant comic book event for DC.

7. In the second issue of Identity Crisis, DC retroactively established that years earlier, Susan Dibny had been raped by a costumed super villain. This was to provide motive for other DC characters to effectively lobotimize the rapist.

CLAIMS FOR RELIEF

8. Plaintiff RALPH DIBNY’s claim of the wrongful death of the decedent, Susan Dibny, is based upon the fact that the death was caused, in whole or part, by the conduct of defendant, DC COMICS, in that the the defendant was strictly liable for victim's death, and Mr. Dibny is the surviving spouse who has suffered pain and suffering and mental anguish as a result of her death.

9. Wherefore, plaintiff RALPH DIBNY demands judgment against defendant, jointly and severally, in the form of damages in the amount of Three Million Dollars ($3,000,000.00) in compensatory damages, and in the form of an award to plaintiff RALPH DIBNY of his costs in this action and such further relief as justice requires.

10. The acts of defendant, DC COMICS resulting in the wrongful death of joint plaintiff, RALPH DIBNY’S, spouse, Susan Dibny, in addition to the retroactive rape of Susan Dibny, constituted extreme and outrageous conduct. As a direct and proximate result of the acts and omissions of defendants, plaintiff, RALPH DIBNY suffered severe emotional distress, including but not limited to headaches, nervousness, anxiety and mental distress.

11. Wherefore, plaintiff RALPH DIBNY demand judgment against defendant, DC COMICS, jointly and severally, in the form of damages in the amount of Two Million Dollars ($2,000,000.00) in compensatory damages; and in the form of an award to plaintiff RALPH DIBNY of their costs in this action and such further relief as justice requires.

RELIEF

WHEREFORE, Plaintiffs demands judgment on Claim One and Claim Two as stated with such other and further relief as the Court deems just and proper, including an award to plaintiff of any and all reasonable attorneys fees, together with the costs and disbursements incurred in connection with this action.


DATED: New York, New York
January 3, 2005


Yours,
Brian Cronin
Comics Should Be Good
Counsel for Plaintiffs

Comics and Drinking

Now, anyone that's known me for longer than seven seconds probably is aware that I do, from time to time, enjoy a bit of imbibery. Bourbon is no stranger to my lips (or liver, or pants). Beer and I go way back. Sometimes I like to drink both of those things at the same time and feel nice.

What may surprise you is that I also like "comic books." Over the years, I've discovered that, at times, the two enjoyments I have there can be combined to form a happiness inside my brain roughly equal to 8.5 Awesomenesses. However, sometimes it does not work out well. I want us all, like a jovial family of drunken nerds (that will be a stretch like when Robin Williams plays "annoying") to discuss the good and the bad in drinking and comics.

Good #1: Some of the best comic talks I've had in my life were while soused. Tearing down Crisis, examining the hidden potential of eighth-string characters . . .in fact, many an idea I've posted at this very site first found root at while I was kissing alcohol. It's fun and you should try it, perhaps soon.

Bad #1: Some comics will not be fun no matter how much you drink. I remember when Ultimate Spider-man came out to much fanfare, I bought a copy and went across the street to a little pub and read it before a friend's party. It almost made the beer taste bad it was so boring. Later, some non-fan said, "Hey, what's that?" And I said either, "A shitty comic book," or "Let's make out." I can't remember.

Good #2: Some comics go REALLY well with drinking. The Lone Wolf and Cub series is one of the dopest comics of all time. And when you're a little bit three-sheets? Yeah, it gets even doper. Have you ever said, "Fuck, yeah, Daigoro!" on a subway? If not, you're doing it wrong. The entire comics output of one Garth Ennis also goes will with getting your drink on. From the highlights of Preacher to the normally unreadable Light Brigade, booze makes all Ennis work even better. It is almost as if he, too, enjoyed some sort of intoxicating beverage. But that would be silly, an Irishman getting drunk! Ha! 'tis to laugh.

Bad #2: You remember how I was saying great comic conversations can happen while everyone is drinking? Yeah, that was awesome. Good times. Anyway, this can go the wrong way. Some times Miss Sugarlips across the booth from you actually doesn't give three shits about 3D Man and would really rather you talk about something else, like taxes or whatever. Now, this is handy if you think Miss Sugarlips is an appalling beast, but if you ever want her to touch any part of you then you'd best figure out if she likes what you're talking about or not. (This is not to say all women don't want to talk about comics, or even all non-fangirls . . .some of them will listen to you no matter what you drone on about just so they can get that notch in their belt).

What are some other good and bad things about drinking and comics? Some other creators whose work is particularly well-suited for the combination? I'll tell you one that isn't: Reading Starlin while drinking kind of makes you want to punch yourself.

Sunday, January 02, 2005

What film would you like to see adapted into a comic series?

Haha...I was just on Newsarama, and apparantly Moonstone Comics (the place that is publishing the new Chuck Dixon Western comics) is going to be publishing a mini- series based on the film Buckaroo Banzai!!

http://newsarama.com/forums/showthread.php?s=&threadid=24434

So this made me think, if THIS film could be adapted, what OTHER films would be worth adapting?

So what film would you think would make a good comic book?

And remember, we're talking ORIGINAL screenplays here, not "Hey, I think it would be cool to adapt the Three Musketeers."

Here are some that I think would adapt well.

"The Third Man" - You could either have it as following Harry Lime around, doing his misdeeds, or you could have it star Holly (Rollo) Martins, following Harry around trying to stop him.

"Lone Star" - John Sayles created such a ripe background for many an interesting tale about Rip County, Texas.

"Notorius" - Couldn't you just see Alicia Huberman and T.R. Devlin continue to try to outwit the Nazi war criminals?

That's just a couple off the top of my head...let's see what good ones you folks can come up with!